There is a real contrast that I love between the layered voluminous styling, the high end labels and the dilapidated stagings where you shoot. There is a way you democratize these impossibly avant grade clothing in a way that is refreshing. Its clear that you are an “otaku” of these labels you write about. Are you trying to connect with people like you? To find other “nerds” of these obscure and difficult labels? or are you trying to do something different with your blog, retailing, writing?
I don’t necessarily write to connect, but it has become a wonderful result that I wasn’t expecting when I started. My writing is a declaration of my love (or disdain) for specific topics and labels, and through my reading, research, and collecting, I hope to spread the things I have learnt to my audience.
Talking about dilapidated, messy wabi-sabi backgrounds do you think this is something of having grown up in the tropical Asia?
Possibly. Who knows what my preference will be if I had grown up in Oslo.
Some early photos showed you in a sort of emo/goth style that currently has evolved into something more refined and minimalist but still quirky and wild. Were you subversive or interested in underground cultures growing up or currently? I’m curious having lived in Singapore/Malaysia in these sort of regimes how that might have influenced you? How is being in China changing your attitudes to that?
Before I found fashion my energy was focused on music and competitive sports. I played the drums and listened to mostly angsty music. My choice in clothing was pretty literal in showcasing my music preference. Growing up I had developed a rebellious attitude in which I disliked the mainstream (eg. choosing rowing over football). I’m less snobbish now, but I still prefer ideas that stimulate my thinking process, be it social issues or creativity. Being in China has been an eye-opening experience. Beneath the authoritarian regime and the quest to keep up with the joneses, China is the bubbling pot of creativity with its own distinct flavour; thousands of years of history, ready to be drawn out and reinterpreted for modern times.
An excerpt of my interview between Robert Patterson and me, from one fellow entrepreneur to another. For the full version, please click here.
Wearing: Rick Owens sphinx biker jacket and samurai shorts; Ann Demeulemeester pirate boots, available on ROSEN here